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Water Samples

2017 (ongoing)

Water from 100 Locations,

100 Glass Bottles

Each Bottle 9 in x 3 in

This in-progress series examines water’s ability to retain information. Utilizing studies from Japanese researcher Dr. Masaru Emoto, this body of work investigates the concept of water having memory: that water makes an imprint of any outside influence, remembering everything that occurs in the space surrounding it.

Water Samples

2017 (ongoing)

Water from 100 Locations,

100 Glass Bottles

Each Bottle 9 in x 3 in

This in-progress series examines water’s ability to retain information. Utilizing studies from Japanese researcher Dr. Masaru Emoto, this body of work investigates the concept of water having memory: that water makes an imprint of any outside influence, remembering everything that occurs in the space surrounding it.

Water Samples

2017 (ongoing)

Water from 100 Locations,

100 Glass Bottles

Each Bottle 9 in x 3 in

This in-progress series examines water’s ability to retain information. Utilizing studies from Japanese researcher Dr. Masaru Emoto, this body of work investigates the concept of water having memory: that water makes an imprint of any outside influence, remembering everything that occurs in the space surrounding it.

Recording The Tide 1

2018

Sand, Pebbles, Glue, Water on Paper

27 in x 40 in

This piece is part of a series of artwork documenting the tide of Lake Bolsena (central Italy).

Considerations taken into account were the time of day, the location on the lake, weather

patterns, and exterior variables such as currents from boats, footprints from ducks, etc.

Trantler (Tree + Antler)

June 2020

Reclaimed Wood, Bronze

12.5 ft x 4 ft

Gearhart, Oregon, USA

The name Trantler is based on combining two predominant elements in Gearhart: the wild elk that roam the region, and the timber industry that has been a cornerstone in the Pacific Northwest since 1848. Oregon is one of the world’s great tree-growing areas so it comes natural to celebrate its contribution to the state’s economy as well as the majestic beauty of its forests. Additionally, the elk herd near Gearhart has become quite prevalent - growing from about thirty a decade ago to around one hundred and twenty members today. Both the timber industry and the elk herd have been sources of discussion within the community. The conversation regarding the environmental impacts of clear cutting versus its potential to diversify the local ecosystem is in debate. Concurrently, the dialogue around the elk herd being a charming attraction as opposed to the wild life creating safety issues still stands strong. This sculpture positions itself as an unbiased piece of artwork, aiming to observe the challenging aspects of human’s relationship with nature, and to promote critical thinking towards the connection between preserving our planet and protecting a healthy economy. The goal of the project is to bring residents and tourists together in hopes of more interaction and collaboration between each other and foster unity by showcasing varying ideologies within a community in a peaceful manner.

Trantler (Tree + Antler)

June 2020

Reclaimed Wood, Bronze

12.5 ft x 4 ft

Gearhart, Oregon, USA

The name Trantler is based on combining two predominant elements in Gearhart: the wild elk that roam the region, and the timber industry that has been a cornerstone in the Pacific Northwest since 1848. Oregon is one of the world’s great tree-growing areas so it comes natural to celebrate its contribution to the state’s economy as well as the majestic beauty of its forests. Additionally, the elk herd near Gearhart has become quite prevalent - growing from about thirty a decade ago to around one hundred and twenty members today. Both the timber industry and the elk herd have been sources of discussion within the community. The conversation regarding the environmental impacts of clear cutting versus its potential to diversify the local ecosystem is in debate. Concurrently, the dialogue around the elk herd being a charming attraction as opposed to the wild life creating safety issues still stands strong. This sculpture positions itself as an unbiased piece of artwork, aiming to observe the challenging aspects of human’s relationship with nature, and to promote critical thinking towards the connection between preserving our planet and protecting a healthy economy. The goal of the project is to bring residents and tourists together in hopes of more interaction and collaboration between each other and foster unity by showcasing varying ideologies within a community in a peaceful manner.

virUS

Public Installation, Video

April 2020

100 Clay Roof Tiles, 1 Sledgehammer, 1 Pick Axe

10 ft x 50 ft

Los Angeles, California

To view the 1 minute 45 second video, click here

https://youtu.be/Ci1_mNACnT4

This installation was a collaboration with artist Adam Guy to create a large scale installation in support of our global fight against the Coronavirus disease (COVID-19). The goal of this piece is to express humanity’s strength and resilience to the global pandemic, but not without the truth that accompanies it: fear, anxiety, grief and more. Clay tiles are frequently used as roofing on houses in Southern California. Listed as a give away on Craigslist they are a perfect symbol for the significance of “Home.” Lining up the tiles like dominoes, we spelled out the word “VIRUS” in 12 ft. letters then proceeded to crush the first three letters of the word with a sledge hammer and pick axe - leaving the remaining part of the word as "US.” We then documented the process via photography and video. Both of us live alone in our art studios/warehouse across the hall from each other and had been self isolating for four weeks. With social distancing in place, this installation let us share the frustration of our challenges creatively while conveying that we are all in this fight together.

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Mar 15, 20221 min read

Artist in Residence with The Rabbit Hole / Hermann Nitsch Museum

Last fall I had the honor of attending an artist residency in Naples, Italy. On September 21, 2021 “the Rabbit Hole” collective presented “The Art of Remembering”; in its first global residency program in collaboration with Fondazione Morra, Naples and E-M Arts.

I was 1 of 7 international applicants, and 3 local Neapolitan artists who were selected to spend 14 days at the artist residence of Fondazione Morra and Museum Hermann Nitsch, in the heart of Naples, unraveling the question “what if we stop remembering?”

Here is a link to my project, which was studying the memory of the water in and around Naples: the underground aquaducts, the sea water from the port of Naples, and the water from a nearby island named Procida. My process and results are documented on the following webpage as well as more information on the program, the directors, and the projects of the other 9 artists. It was a life changing experience to say the least.

https://www.101010n.com/the-art-of-remembering-2021

https://www.101010n.com/keri-rosebraugh

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Keri Rosebraugh

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